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Royal Oakie
Strange Pilgrim - Too Bright Planet
Strange Pilgrim - Too Bright Planet
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£13.99 GBP
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The album finds the band fleshed out with a new lineup featuring Pat Spurgeon (Rogue Wave, Dandy Warhols, Federale) and Elliott Kay. Building on the kaleidoscopic dream pop and psych rock of their debut album, the band spreads their wings on Too Bright Planet–incorporating influences ranging from The Grateful Dead to Brian Eno and The Velvet Underground to create a moody vibe that recalls early 70’s Fleetwood Mac, Luna’s Penthouse, and Jonathan Wilson’s Gentle Spirit.
Produced by Josh Barnhart, the basic tracks were recorded live at Bocce Recording in Vancouver, WA, engineered & mixed by Cory Gray (Lee Baggett, Califone), and mastered by David Glasebrook (Patti Smith, Michael Nau, Sugar Candy Mountain) at The Garden Shed in Oakland, CA. The album features guest contributions from Maggie Morris of Sunbathe, Cory Gray of Old Unconscious & The Delines, and labelmate Caleb Nichols.
Whereas the band’s debut album explored themes of alienation and dislocation (the band’s name is taken from a collection of short stories by Gabriel García Márquez), the songs on the new album lean into acceptance, rebirth, and forward movement, inspired by the poetry of Robert Hass, the films of Sara Dosa, Akira Kurosawa, and Wim Wenders, and the art of Gerhard Richter. Title track, “Too Bright Planet”, is a surreal walk through the memory of a single day—the day you meet someone who changes your life. It moves through sunlight and shadow, morning to night, anchored by a moment at dusk when a planet appears so bright it feels almost unreal. Meanwhile, “Late Light” opens the album with a surreal portrait of a slow, dragging night shift, easing the listener in and inviting them to settle into a space where the lines between the mundane and the dreamlike begin to blur.
Produced by Josh Barnhart, the basic tracks were recorded live at Bocce Recording in Vancouver, WA, engineered & mixed by Cory Gray (Lee Baggett, Califone), and mastered by David Glasebrook (Patti Smith, Michael Nau, Sugar Candy Mountain) at The Garden Shed in Oakland, CA. The album features guest contributions from Maggie Morris of Sunbathe, Cory Gray of Old Unconscious & The Delines, and labelmate Caleb Nichols.
Whereas the band’s debut album explored themes of alienation and dislocation (the band’s name is taken from a collection of short stories by Gabriel García Márquez), the songs on the new album lean into acceptance, rebirth, and forward movement, inspired by the poetry of Robert Hass, the films of Sara Dosa, Akira Kurosawa, and Wim Wenders, and the art of Gerhard Richter. Title track, “Too Bright Planet”, is a surreal walk through the memory of a single day—the day you meet someone who changes your life. It moves through sunlight and shadow, morning to night, anchored by a moment at dusk when a planet appears so bright it feels almost unreal. Meanwhile, “Late Light” opens the album with a surreal portrait of a slow, dragging night shift, easing the listener in and inviting them to settle into a space where the lines between the mundane and the dreamlike begin to blur.
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