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RVNG Intl.
Sprague, Emily A. - Double Moon
Sprague, Emily A. - Double Moon
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£9.99 GBP
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Double Moon marks a turning point for Emily A. Sprague’s prolific composition, presenting her first vocal performance under her own name, and her return to RVNG after 2025’s live modular synthesizer album, Cloud Time.
While Sprague has long been singing with her beloved indie folk band Florist, until now her solo work has been entirely instrumental. “Double Moon” combines her modular synthesizer work with intimate vocals, bridging intuitive modular sonic structures and expressive songwriting.
“Double Moon” traces psychic and tangible landscapes as parallel realms. Through incantatory repetition and diaphanous spills, Sprague cues an initiatic path with modular intricacy and lyrical foresight, featuring V Haddad’s translucid vocals. Through instinctual precision, “Double Moon” reveals sensorial breadth through visceral, scenic composition. Marked by patched gradients, frosted angles, and warm, melodic ripples, each sound revolves around the next, simultaneously appearing and vanishing across a gripping sonic arc. This track moves in iridescent subtlety—night’s color drawn across the sky, illuminating the silhouettes it renders possible.
Middle track, “Dusk (How to Fly),” true to its title, is a subtle and stirring experiment that evokes the day’s denouement, alongside an ephemeral sweep of sublimity, and the near possibility of flight. Transfixing in its reflective drift and glowing imagery, the track melds gently synthesized threads with a slow acoustic rush—a melody drifting in boundless directions. Guided by Sprague’s distinctive vocal cascade and epistolary threads, a lilting sequence weaves effortlessly from essential memory to vast emotional aperture, asking: How could we be here any other way? How do we feel anything at all?
“Double Moon (Andras Dub)” lends a brightened overlay to Sprague’s original composition, Australian producer Andrew Wilson, aka Andras and one half of Wilson Tanner, transforming the original track’s texture through low, radiant rhythms. Each bar springs and scatters to utter newness, revealing a prism of weather and echo, a glittering rain to daylight vapor. This dub is a fluidly iterative evolution—bringing both clearer focus to Sprague’s mesmeric songwriting and a spirited reset to the core melodic stretches of the song, entrusting vivid sound and synchronicity in its wake.
RIYL: Ana Roxanne, Boards of Canada, Green-House, Mouse on Mars, Laurel Halo, Florist
“Double Moon” traces psychic and tangible landscapes as parallel realms. Through incantatory repetition and diaphanous spills, Sprague cues an initiatic path with modular intricacy and lyrical foresight, featuring V Haddad’s translucid vocals. Through instinctual precision, “Double Moon” reveals sensorial breadth through visceral, scenic composition. Marked by patched gradients, frosted angles, and warm, melodic ripples, each sound revolves around the next, simultaneously appearing and vanishing across a gripping sonic arc. This track moves in iridescent subtlety—night’s color drawn across the sky, illuminating the silhouettes it renders possible.
Middle track, “Dusk (How to Fly),” true to its title, is a subtle and stirring experiment that evokes the day’s denouement, alongside an ephemeral sweep of sublimity, and the near possibility of flight. Transfixing in its reflective drift and glowing imagery, the track melds gently synthesized threads with a slow acoustic rush—a melody drifting in boundless directions. Guided by Sprague’s distinctive vocal cascade and epistolary threads, a lilting sequence weaves effortlessly from essential memory to vast emotional aperture, asking: How could we be here any other way? How do we feel anything at all?
“Double Moon (Andras Dub)” lends a brightened overlay to Sprague’s original composition, Australian producer Andrew Wilson, aka Andras and one half of Wilson Tanner, transforming the original track’s texture through low, radiant rhythms. Each bar springs and scatters to utter newness, revealing a prism of weather and echo, a glittering rain to daylight vapor. This dub is a fluidly iterative evolution—bringing both clearer focus to Sprague’s mesmeric songwriting and a spirited reset to the core melodic stretches of the song, entrusting vivid sound and synchronicity in its wake.
RIYL: Ana Roxanne, Boards of Canada, Green-House, Mouse on Mars, Laurel Halo, Florist
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