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This sprawling, colourful and limitless body of workexamines living in a world where sincerity and tenderness feel like acts of defiance.","brand":"Sondre Lerche LLC","offers":[{"title":"Transparent Red LP","offer_id":51614029086998,"sku":"RMX-71864","price":26.99,"currency_code":"GBP","in_stock":true},{"title":"CD","offer_id":51614029119766,"sku":"RMX-71865","price":14.99,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0839\/7750\/2998\/files\/6a671d371229e07baa0dc1ec_2010e3a9-2862-49e9-8bab-84ad6e0a4a2b.jpg?v=1785159661"},{"product_id":"blakey-art-the-jazz-messengers-oh-by-the-way","title":"Blakey, Art \u0026 The Jazz Messengers - Oh-By The Way","description":"\u003cp\u003e\u003ci\u003eOh-By The Way\u003c\/i\u003e captures a new era for Art Blakey \u0026amp; The Jazz Messengers, recorded in 1982 and showcasing a fresh generation of rising stars. \u003cbr\u003e\u003cbr\u003e\nThis lineup features Terence Blanchard, Donald Harrison and Johnny O'Neal, who stepped in after the celebrated Marsalis-Williams period and continued Blakey's unmatched legacy of discovering and shaping young jazz talent. The album opens with Blanchard's vibrant title track \u003ci\u003eOh-By The Way\u003c\/i\u003e, a composition that quickly became a modern Messenger favourite thanks to its strong melodic drive and infectious energy. Following the success of Album Of The Year, this recording presents a confident new direction for the band. 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In fact, he always bounced back and forth between his electronic and acoustic sound, touching upon almost every development in R\u0026amp;B, funk and jazz while retaining an original and distinctive voice. \u003ci\u003eDeath Wish\u003c\/i\u003e from 1974 followed closely upon the success of Headhunters, and was the soundtrack to the infamous Charles Bronson-starring vengeance vehicle that preyed upon urban paranoia. 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To create this feel, Jay-Jay Johanson collaborated with Robin Guthrie, who is famous for his work with Cocteau Twins. Despite the themes of betrayal and misunderstanding, Johanson's dark humour is never far away. Musically, Johanson once again blends genres such as trip hop, jazz, and electronic influences to create a hauntingly beautiful listening experience. \u003cbr\u003e\u003cbr\u003e\n\u003ci\u003ePoison\u003c\/i\u003e remains a fan favourite and a key release in Johanson's discography. 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Wansel composed his own sci-fi sounds with swirling, ring-like oscillators, cosmic sub tones, and metallic, otherworldly leads using his signature ARP 2600 synthesizer. Wansel's pioneering synth sound was shared on numerous records with artists like MFSB, Billy Paul, Evelyn Champagne King, Teddy Pendergrass, and The Jones Girls. The album inspired other artists and Wansel's Theme From The Planets drum beat intro is hailed as being one of the first foundation beats of hip-hop. \u003cbr\u003e\u003cbr\u003e\nHis sampled music has been used by Kanye West, Lil Wayne, Drake, Rick Ross, J. 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His punchy, metronomic kick drum powered Donna Summer'sground-breaking 'I Feel Love.' 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After her successful feature on their 1978 album A Whiter Shade Of Pale, she went on to become a fully-fledged contributor and songwriter for Neil Bogart's Casablanca Records stable of creatives, writing and producing for The Three Degrees, Suzi Lane, and the final Munich Machine album, Body Shine.\n\u003cbr\u003e\u003cbr\u003e\nRecorded at Musicland Studios in Munich and Westlake Audio in Los Angeles, Love's In You, Love's In Me's tracks are propelled by Moroder's innovative use of the Minimoog and vocoder, as demonstrated on both 'I Can't Wait' and 'Love Now, Hurt Later,' and the album naturally features brilliant contributions from his regular stable of collaborators including Harold Faltermeyer and drummer Keith Forsey.\n\u003cbr\u003e\u003cbr\u003e\nUpon its original release, the title track entered the UK Record Mirror Disco Chart in August 1978. 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