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Producer Bob Thiele paired him up with legendary arranger Oliver Nelson and the result was this stunning album. The title track was written by Nelson for the popular TV show that featured Lee Majors and Holmes played the theme to perfection. The rest of the album was equally funky, with Holmes shining on tracks like ‘Disc-O-Mite’, ‘Once Is Not Enough’, ‘Dumpy Mama’ and ‘Double Scale’. \u003cbr\u003e\u003cbr\u003e\n“Six Million Dollar Man” has been out of print on vinyl since it was originally released in America in 1975.","brand":"Flying Dutchman","offers":[{"title":"LP","offer_id":51593860120854,"sku":"RMX-71584","price":24.99,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0839\/7750\/2998\/files\/6a5f432da90400b8bb2bac18.jpg?v=1784639035"},{"product_id":"lucien-jon-precious-is-my-love-strawberries-dont-know-cherries","title":"Lucien, Jon - Precious Is My Love \/ Strawberries Don't Know Cherries","description":"Two more rare and wonderful tracks from the much-admired Jon Lucien’s creative early 70s period, when his singing and songwriting skills were blossoming.  \u003cbr\u003e\u003cbr\u003e\nBoth tracks only appeared on a limited-press CD that Lucien released in 1999. 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Even more so, knowing that the singer, Tamala Lewis, sang with the group. \u003cbr\u003e\u003cbr\u003e\nThe Pretenders’ 1980 uptempo disco version of ‘It’s Everything About You I Love’ has rightly attracted much rare soul action in recent years, but the original from Lee Williams \u0026amp; The Cymbals now takes the spotlight. \u003cbr\u003e\u003cbr\u003e\nOnce considered mid-tempo and relatively easy to find, the explosion of harmony group collectors around the world has made it a very desirable item and, let’s face it, that tempo is pretty solid for maturing soul dancers.","brand":"Kent","offers":[{"title":"7\"","offer_id":51593860448534,"sku":"RMX-71587","price":11.99,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0839\/7750\/2998\/files\/6a5f4331fc0604effc0fc370.jpg?v=1784639061"},{"product_id":"pop-down-under-various-artists","title":"Pop Down Under - Various Artists","description":"\u003cp\u003eAustralia and New Zealand had their own parallel, and thrilling, pop scenes in the late 1960s. \u003cbr\u003e\u003cbr\u003eTough beat, wild psychedelia, soulful sirens and bubblegum pop were created by kids who had easy access to both the British and American scenes, as well as a welter of radio stations and TV shows on which they could become stars. 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Their drug is the riff within their boiling hate, driving them wilder. Like an ouroboros, the snake consumes itself in a pyrotechnical burst in seven acts. In the forge for two years, the new set of songs melts the urgency of metal with the dark humour of rock’n’roll. \u003cem\u003eDroga Total\u003c\/em\u003e comes out as harsher, braver, but also more sarcastic and biting on the lyrical front, with witty and sharp takes. Portuguese-speaking listeners will be cursed with traditional tavern-inspired tropes, intoxicated remarks that any working\u003cspan style=\"mso-spacerun: yes;\"\u003e  \u003c\/span\u003eclass person will relate to — if their self-titled record started at the counter pounding wine and moonshine, its following picks up the bottles to recycle them in the brewing of molotov cocktails for the incoming revolution. The violence of the sound is only matched by their dragging of one percenters and the enemies of the people in growling vocals that are, nonetheless, clever enough to cover them in venomous and virulentridicule. \u003cbr\u003e\u003cbr\u003e“Droga Total”, their metal sprint of thrashing, high-speed guitars, emulates the sensation of the billionaire’s Soilent Green-like pursuit for the ultimate drug, the sacrifice of everything and everyone. The opener “Trabalho” sets the tone for the album, a death’n’roll ode to the revolution, where guitar solos, groovy palm mutes and melodic bursts lead to the ecstatic chorus calling for the raised fists. The closing sequence of “Hoje é o Dia”, “Tiro no Escuro” e “Humildade” makes it clear their revolution, just their total drug, is not about the end, but rather all about the process. Riffs are forever, so is their anger. \u003cbr\u003e\u003cbr\u003eCobrafuma’s \u003cem\u003eDroga Total\u003c\/em\u003e is not your prototypical metal record. It inhales rock’s decadence, groove and lyrical prowess, and exhales it in smoking hot, out-of-control riffing rage. \u003cbr\u003e\u003cbr\u003eNot unlike Clockwork Orange’s infamous totaalvoetbal, all the extremes come in play for a hallucinated carousel of fast, furious, distorted songs that borrow as much from punk in the pounding d-beat drumming, from thrash in the screeching solos, as they do from death’n’roll’s guitar tone, or sludge’s heavy but steady riffing. \u003cbr\u003e\u003cbr\u003eTheir totality is geographic, covering all terrains of extreme music, and conceptual, reaching to rock’n’roll’s traditions of crafting ideas and lyrics and imbuing their songs with witty metaphors and analogies to create powerful, liberating ideas. Cobrafuma does not abide by any cult; its creed is the adrenaline of the riff, its mass is the mockery of the powerful, its prayers are sheer sonic ecstasy. \u003cbr\u003e\u003cbr\u003eA famous Portuguese poet once said that religion is the opium of the people. Cobrafuma replaced it with a more powerful, new drug.\u003cspan style=\"mso-spacerun: yes;\"\u003e \u003c\/span\u003e\u003c\/p\u003e","brand":"Lovers \u0026 Lollypops","offers":[{"title":"LP","offer_id":51593867493654,"sku":"RMX-71590","price":28.99,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0839\/7750\/2998\/files\/6a5f43297ecb00c4e53ce793.jpg?v=1784639679"},{"product_id":"ferrari-brunhild-eiko-ishibashi-jim-o-rourke-l-oreille-voleuse","title":"Ferrari, Brunhild, Eiko Ishibashi, Jim O’Rourke - L’oreille Voleuse","description":"\u003cp\u003e“Without listening at doors, the ear captures noises here and there and unexpected sounds without choice, but remains attentive to the messages of each one picked up over the years. It gathers surprises and impressions, bringing them together in a simple mix. In waking up these ear memories again, which were mostly recorded on magnetic tapes, I am very happy about the collaboration of Eiko Ishibashi and Jim O'Rourke in playing on this mix tape.” Brunhild Ferrari \u003cbr\u003e\u003cbr\u003eBrunhild Ferrari: “Like most of my fellow human beings, I was born, I grew up, I attended schools, I passed exams, I failed, I loved, I worked hard sometimes, I enjoyed life; I continue. I worked with Pierre Schaeffer in the ORTF research department on the relationship between sound and image. Of German origin, I have had an activity as an interpreter and translator. Following Luc Ferrari’s advice in matters of life, music, and composition, and working with him over the course of our 40 years together, I made my own Hörspiele and radio plays broadcast on France Culture, in the United States, and on the main German radio stations. Since Luc left us in 2005, I have taken care of the preservation of his vast archives; founded the “Association Presque Rien – Friends of Luc Ferrari”; initiated and organized the biennial competition PRESQUE RIEN Prize by providing artists with original sound material from Luc’s sound recordings; and edited a book of his writings and documents (Musiques dans les spasmes, published by les Presses du Réel, France) as well as one more book in English together with Catherine Marcangeli (Luc Ferrari: Complete Works, published by Ecstatic Peace library). I composed music; I continue.” \u003cbr\u003e\u003cbr\u003eEiko Ishibashi is a Japanese composer, singer, and multi-instrumentalist who has developed a unique body of work blending experimental pop, improvisation, and film music. Her work, praised for its expressive intensity and sensitivity to sonic textures, has led her to collaborate with numerous musicians on the international scene, including Jim O'Rourke, with whom she forms a long-standing duo. She is also the composer of several film scores, notably for the films of Ryusuke Hamaguchi (Drive My Car, Evil Does Not Exist), which have helped to bring her work to a wider audience beyond experimental music circles. \u003cbr\u003e\u003cbr\u003eJim O'Rourke is an American composer, producer, and multi instrumentalist, and has been a major figure in experimental and independent music since the 1990s. His work spans rock, improvised music, electronic music, and contemporary music. A former member of Sonic Youth and a collaborator with Wilco, Gastr del Sol, and Merce Cunningham, he has released numerous solo albums and film scores. 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