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Blaney had just started playing guitar and producing around the time she began writing the songs that would become the album. Being new to both producing and guitar playing opened up a sense of exploration and freedom for her. She felt emboldened to employ more adventurous riffs and unconventional song arrangements when she was writing. 'A Room with a Door That Closes' is a collection of songs that rigorously pursue honesty, that present feelings as they arise without rushing to categorise them or explain them away. In the process of understanding her rage or discomfort, Blaney often lands on a sense of pride and assurance, but that’s never the ultimate goal. She eschews the easy comfort of neat resolution for the excitement of ongoing discovery. 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Across 11 songs, 'The Starrr Of The Queen Of Life' showcases Friday’s chameleonic vocals. From the sparse, gossamer beauty of the lovelorn “Leave.” to the locomotive post-punk of “Darker The Better.” To help bring her vision of radical honesty on the dance floor to life, Friday recruited Australian producer Darcy Baylis (Wicca Phase Springs Eternal). Returning to their de-facto homebase in London in between touring, the pair traded ideas in the studio from morning until midnight. Layered with meaning, The Starrr Of The Queen Of Life is brimming with coded, if-you-know-you-know references—weaving love letters and innuendos from the names of it girl perfumes, French cognac, and Hellenistic prophetesses who speak in tongues. 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This\nnew chapter sees Mansur introduce his vocals for the first\ntime, alongside a heavier rock \u0026amp; electronic undercurrent,\nwhilst maintaining the melodic essence you’d expect from\nMansur. There are echoes of r\u0026amp;b, and sci-fi-esque\nsynthesisers that beam vivid imagery. Guitar remains at the\ncentre of Mansur’s music, but it’s by no means the only\ncomponent. Straddling the roles of songwriter, producer and\nmulti-instrumentalist, this spirit of self-sufficiency cuts\nthrough everything Mansur does. 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The record crystallizes a journey that is entirely his own, establishing Mechatok not just as a standout collaborator, but as an undeniable solo artist fully in command of his vision. Through the Mechatok persona, he accesses forms of expression that feel paradoxically more intimate - and more timeless.\n\nEverything on 'Wide Awake' is tied together by a playful yet deeply intuitive sonic palette and a set of core, haiku-like lyrical themes. The album poses questions about the possibility of authenticity and the status of self-expression in the context of algorithmic flattening. Mechatok declines to propose utopian solutions and chooses instead to live with strange ambiguities, tapping their generative potential.\n\nFeaturing Bladee, Ecco2k, Isabella Lovestory, Tohji, and others, 'Wide Awake' spans a wide emotional and stylistic spectrum while remaining filtered through Tokdemir’s precise vision. 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The band lays it bare on “Dog” with a slow slink that builds toward the singed elegance of Spiritualized and a lyrical labyrinth that’s cut and pasted into a Burroughs-esque blur of rock motifs. The song peaks in pure maelstrom with a glorious glut of feedback foaming out of the speakers. The familiar specter of The Velvets rears its head in the shambolic beat of the title track, and “Other Side Of The Earth” gets gooey with dub, but never loses the band’s ability to feed the fray. 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