{"title":"Best Of 2025","description":"","products":[{"product_id":"wykes-debsey-teenage-daydream-we-are-the-girls-who-play-in-a-band","title":"Wykes, Debsey - Teenage Daydream: We Are The Girls Who Play In A Band","description":"\u003cp\u003eAn evocative coming of age story from one of the UK’s first ever female post-punk musicians. Debsey Wykes was the bass playing singer in the first all girl punk group Dolly Mixture. Thrown into the musky, misogynistic, male dominated world of the UK music industry in the late 1970s, they enjoyed unlikely #1 success alongside Captain Sensible of The Damned on 1982’s even unlikelier cover version of ‘Happy Talk’, whilst fame and success on their own individual terms alluded them. Debsey went on to greater prominence with Saint Etienne with who she has performed since 1992, whilst in 2025, desirable Dolly Mixture reissues sell out around the world as quickly as they are printed. Featuring a cast of contemporary post-punk heroes – from Paul Weller and the Jam (their first record label boss) to Madness and the Pogues - Teenage Daydream is a unique coming of age story of youthful ambition, enterprising DIY musical ethics and how an unlikely bunch of school-girl friends ended up on Top of the Pops in home made hula skirts Debsey Wykes currently sings with Saint Etienne and her group Birdy alongside occasional reunions with former Dolly Mixture partners. 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These are glistering melodic songs, an antidote to the chaos and abrasive atmosphere of touring, and a beautiful side-step from the music that Sydney Minsky Sargeant has been recording as Working Men’s Club for the past seven years. The 12 songs that mark 'Lunga' were written over a period of years, beginning when Minsky Sargeant was a teenager growing up in Todmorden and following a chronology to the present day. It’s a deeply personal insight and Lunga feels like a haven, a world we can all step into.\u003c\/p\u003e","brand":"Domino Records","offers":[{"title":"Limited Select Retailers Exclusive Oxblood Red Bio-Vinyl 2Lp In Gatefold Sleeve + Download","offer_id":50155650547990,"sku":"RMX-48500","price":31.99,"currency_code":"GBP","in_stock":true},{"title":"Black Bio-Vinyl 2Lp In Gatefold Sleeve + Download","offer_id":50155651367190,"sku":"RMX-48501","price":27.99,"currency_code":"GBP","in_stock":true},{"title":"Cd With Poster","offer_id":50155651825942,"sku":"RMX-48502","price":12.99,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0839\/7750\/2998\/files\/c0685301392a8f855ad20bb2844e0492.png?v=1761233386"},{"product_id":"say-she-she-cut-rewind","title":"Say She She - Cut \u0026 Rewind","description":"\u003cp\u003eThe NYC punk-chic, discodelic funk band is back with 'Cut \u0026amp; Rewind', their politically-charged, dancefloor-crushing third album. Led by the powerhouse vocal trio of Piya Malik, Sabrina Mileo Cunningham, and Nya Gazelle Brown, the group channels progenitors like Minnie Ripperton, Charles Stepney, Liquid Liquid, and Raw Silk to create a groove-forward, psychedelic soundscape of pulsing disco beats, heavenly whistle tones, and soaring three-part harmonies. There’s a feeling of righteous rebellion simmering beneath these songs’ body-moving exterior, though: “She Who Dares” is a call to fight against a near-future dystopia where women’s rights have been decimated globally; “Disco Life” decries the racism and homophobia of Steve Dahl’s 1979 “Disco Demolition Night,” reclaiming the dancefloor as “a playing field where all are free.” 'Cut \u0026amp; Rewind' is protest music dressed up as a sweat-dripping, hip-shaking, mind-expanding good time.\u003c\/p\u003e","brand":"Drink Sum Wtr","offers":[{"title":"Limited Indies Only Lilac LP","offer_id":50243146187030,"sku":"RMX-49854","price":24.99,"currency_code":"GBP","in_stock":true},{"title":"LP","offer_id":50155669750038,"sku":"RMX-48569","price":23.99,"currency_code":"GBP","in_stock":true},{"title":"CD","offer_id":50155670176022,"sku":"RMX-48570","price":13.99,"currency_code":"GBP","in_stock":true},{"title":"Limited Indies Only Lilac LP + *Signed Print*","offer_id":50155669258518,"sku":"RMX-48568","price":24.99,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0839\/7750\/2998\/files\/48343751a7fbd9c04d8579f3db4d278a.png?v=1761230090"},{"product_id":"sprints-all-that-is-over","title":"Sprints - All That Is Over","description":"\u003cp\u003eThere was a palpable flurry of momentum surrounding the Dublinband’s second album, as their 2024 debut had established thequartet as an essential new name in contemporary rock - and they more than delivered on that heavy weight of expectation.\u003c\/p\u003e\n\u003cp\u003e Now, they’ve turned their urgent and relentless energy into new material, releasing themselves from the shackles of insecurity, and confidently stepping into their best work yet. It’s loud, emotive, boisterous and a lot of fucking fun (as lead single, “Descartes”,clearly demonstrates)... but there are also atmospheric interludes, which provide respite and serve to amplify the intensity when the noise kicks back in (best exemplified instandout track, ‘To The Bone’). They’ve managed to transfer the confidence and passion that they exude onstage onto record, so now we have a fully formed behemoth of a band that look set to take on the world.\u003c\/p\u003e","brand":"City Slang","offers":[{"title":"Dinked Edition 355 - Limited Numbered Marbled Curacao \u0026 Black LP + Bonus 7\" + Unique Art Print (1000 Only) * final copies have dented corner *","offer_id":50155700912406,"sku":"RMX-48601","price":28.99,"currency_code":"GBP","in_stock":false},{"title":"Limited Indies Only \"Lemon Yellow\" LP","offer_id":50155689836822,"sku":"RMX-48600","price":27.99,"currency_code":"GBP","in_stock":true},{"title":"Black LP","offer_id":50155677843734,"sku":"RMX-48599","price":26.99,"currency_code":"GBP","in_stock":true},{"title":"CD","offer_id":50155701338390,"sku":"RMX-48602","price":13.99,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0839\/7750\/2998\/files\/7044c7bc5dfbd16fb687ec26c61c6c6c.png?v=1761228767"},{"product_id":"wednesday-bleeds","title":"Wednesday - Bleeds","description":"\u003cp\u003eAn intoxicating collection of narrative-heavy Southern rock that — like many of the most arresting passages from the North Carolina band’s highlight reel so far — thoughtfully explores the vivid link between curiosity and confession.\u003c\/p\u003e\n\u003cp\u003e'Bleeds' is not only the best Wednesday record—it’s also the most Wednesday record, a patchwork-style triumph of literary allusions and outlaw grit, of place-based poetry and hair-raising noise.\u003cbr\u003e\u003cbr\u003eKarly Hartzman—founder, frontwoman, and primary lyricist—credits Wednesday’s tightened grasp on their own identity to time spent collaborating on previous albums, plus a tour schedule that’s been both rewarding and relentless. “'Bleeds' is the spiritual successor to 'Rat Saw God', and I think the quintessential ‘Wednesday Creek Rock’ album,” Hartzman said, articulating satisfaction with the ways her band has sharpened its trademark sound, how they’ve refined the formula that makes them one of the most interesting rock bands of their generation. “This is what Wednesday songs are supposed to sound like,” she said. “We’ve devoted a lot of our lives to figuring this out—and I feel like we did.”\u003cbr\u003e\u003cbr\u003eJust like 'Rat Saw God', one of the defining rock \u0026amp; roll records of the 2020s so far, 'Bleeds' came together at Drop of Sun in Asheville and was produced by Alex Farrar, who’s been recording the band since Twin Plagues. Hartzman again brought demos to the studio, where she and her bandmates—Xandy Chelmis (lap steel, pedal steel), Alan Miller (drums), Ethan Baechtold (bass, piano), and Jake “M.J.” Lenderman (guitar)—worked as a team to bulk-up the compositions with the exact right amounts of country truth-telling, indie-pop hooks, and noisy sludge. More than ever, the precise proportions were steered by the lyricism—not only its tone or subject matter, but also the actual sound of the words, as well as Hartzman’s masterfully subjective approach to detail selection.\u003cbr\u003e\u003cbr\u003eEvery image or scene is filtered through Hartzman’s agile, writerly brain. The particulars deemed essential all contain revelations about Hartzman’s specific obsessions and vulnerabilities, about the fragmented way she processes the world. 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Just one twirl of the disc and those fears are quickly assuaged, with the 5-piece (expanded with the addition of Ellis Durand, Henry Holmes, and Joshua Mobaraki) laying down some of the most enjoyable indie-pop hits we’ve heard this side of, well, their self-titled debut.\u003c\/p\u003e\n\u003cp\u003eRecorded just around the corner from our shop and then sprung upon us in a jam-packed, not-so-secret, stupidly intimate live show at the Green Door Store, we’d been jonesing to get the full album in our shell-likes for what seemed like an absolute age. And when it finally appeared, packed with references to Big Brother presenters, nachos, horror comedy cinema, and obnoxious pick up artists, it more than exceeded our expectations… and that was before they delivered a double dose of their energetic, madcap musical mayhem at two scintillating outstore events.\u003c\/p\u003e\n\u003cp\u003eIt’s a striking album that has not only silenced previous nonbelievers, it’s recruited a whole bastion of fresh fans to the Wet Leg cause.\u003c\/p\u003e","brand":"Domino Records","offers":[{"title":"Limited *Listening Party Edition* Clear Lp With Alternate \"Family Photo\" Cover","offer_id":50155713298710,"sku":"RMX-48645","price":25.99,"currency_code":"GBP","in_stock":false},{"title":"Limited Indies Only Clear LP + Download","offer_id":50156190171414,"sku":"RMX-44535","price":25.99,"currency_code":"GBP","in_stock":false},{"title":"Black LP + Download","offer_id":50156190695702,"sku":"RMX-44536","price":22.99,"currency_code":"GBP","in_stock":true},{"title":"CD in Gatefold Sleeve + Lyric Booklet","offer_id":50156190859542,"sku":"RMX-44537","price":12.99,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0839\/7750\/2998\/files\/1f513623170aaf43196ac6b95ef0af29.png?v=1763637598"},{"product_id":"new-eves-the-the-new-eve-is-rising","title":"New Eves, The - The New Eve Is Rising","description":"\u003cp\u003eRolling and writhing like a righteous beast determined not to be tamed, this local quartet summon something deep and primal with their unique and otherworldly compositions that emerge as if from the very rich, fertile earth spread out beneath their feet.\u003c\/p\u003e\n\u003cp\u003eThe New Eves first came to our attention during their spellbinding performance at the Green Door Store’s Psychedelic Sundae, way back in September 2022. They were so good, in fact, that they claimed the inaugural feature of our ‘Resident Radar’ of bands to watch out for.\u003c\/p\u003e\n\u003cp\u003eAll of the Eves sing, producing a wonderful, celestial sound, aided by the inclusion of flute, cello and violin, veering from jarring and melodic to unsettling yet serene. Their musical references, which are as enticing as they are incendiary, are transformed through some kind of musickal magick and alchemy, expanding into something galvanising, unparalleled, and spiritually forthright.\u003c\/p\u003e\n\u003cp\u003eThey honed their craft on the road, tightening up their ever intriguing sounds, before unleashing their debut alongside a raw and energetic live performance that lit up our shop floor, shaking all in attendance. The dynamic quartet are as in ascendancy as the titular New Eve and, to experience the full force of their powers, we heartily recommend catching themplying their sorcery in the flesh.\u003c\/p\u003e\n\u003cp\u003eFew Brighton flames burn brighter. Bask in their glow.\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eFor Fans OF: Poor Creature \/ Tristwch Y Fenywod \/ The Raincoats \/ Slum of Legs \/ Milkwood \/ Comus \/ The Slits\u003c\/strong\u003e\u003c\/p\u003e","brand":"Transgressive","offers":[{"title":"Dinked Edition - Violet \/ Blue Marbled LP with Alt Cover + *Signed* Postcard","offer_id":50787324789014,"sku":"RMX-59132","price":29.99,"currency_code":"GBP","in_stock":true},{"title":"Limited Light Pink LP in Gatefold Sleeve","offer_id":50155973378326,"sku":"RMX-46602","price":24.99,"currency_code":"GBP","in_stock":true},{"title":"Black LP","offer_id":50563611492630,"sku":"RMX-56634","price":29.99,"currency_code":"GBP","in_stock":true},{"title":"CD","offer_id":50155973804310,"sku":"RMX-46603","price":15.99,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0839\/7750\/2998\/files\/2ae40294efce788307078ebf504fc896.png?v=1763637529"},{"product_id":"tempest-kae-self-titled","title":"Tempest, Kae - Self Titled","description":"","brand":"Island","offers":[{"title":"Recycled Black LP in Gatefold Sleeve","offer_id":50156010930454,"sku":"RMX-46274","price":21.99,"currency_code":"GBP","in_stock":true},{"title":"Limited Select Retailers Exclusive Orange LP in Gatefold Sleeve","offer_id":50156010471702,"sku":"RMX-46273","price":21.99,"currency_code":"GBP","in_stock":true},{"title":"Tricolour LP","offer_id":51060101710102,"sku":"RMX-63521","price":28.99,"currency_code":"GBP","in_stock":true},{"title":"Cd","offer_id":50156039930134,"sku":"RMX-46275","price":14.99,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0839\/7750\/2998\/files\/70134ff0ff6e1103c37c18fe2defdab2.jpg?v=1772109038"},{"product_id":"raymond-gwenifer-last-night-i-heard-the-dog-star-bark","title":"Raymond, Gwenifer - Last Night I Heard The Dog Star Bark","description":"\u003cp\u003eBrighton-based, Welsh instrumentalist Gwenifer Raymond is set to announce her third studio album to be released September 5th on Canadian label We Are Busy Bodies. Last Night I Heard the Dog Star Bark is a hybrid of the ancient and the futuristic where the arcane etchings of occult folk horror fuse with the unfathomable equations of the cosmos. A big bang, yes, but also an atom cleaved. On her latest album, this celebrated new champion of the finger-picked guitar looks upwards, outwards. somewhere beyond. Now the landscape is mapped – its knotted woodlands, its aurora-crowned mountains, its tangled undergrowth – Gwenifer Raymond hears the stars call. Last Night I Heard the Dog Star Bark is a natural evolution for such an intensely questing, personally excavating artist. The album is Raymond’s first since 2020’s Strange Lights Over Garth Mountain, which drew widespread acclaim for its repurposing of Mississippi blues and John Fahey’s intricate Americana to embody Raymond’s roots in rural South Wales and her interests in folk horror and the avant garde, a new form dubbed Welsh Primitive. Now, on her forthcoming album, Raymond finds herself conjuring the work of pioneering rocket scientists, the words of fictional hobo prophets and the concepts of mathematical infinity. Having toured Europe, the US and Canada with the likes of Michael Chapman, Michael Hurley, The Handsome Family, Lankum, Charlie Parr, Richard Dawson, Ryley Walker and Squid, and played festivals including WOMAD, Green Man, End of the Road and Transmusicales in France, Raymond began recording Last Night I Heard the Dog Star Bark; exploring textures and following threads alone in her flat’s home studio, trying to get a sonic grip on a world spinning out of control. Sci-fi and scientific readings provided a strange, objective clarity. One key reference was Tom O’Bedlam, an insane homeless mystic from Grant Morrison’s comic book series The Invisibles who sees holy words in street signs reflected from the city’s wet concrete, hidden meanings within the modern chaos. “The world seems to have been taking on an increasingly surrealistic tilt,” Raymond says, “and ol’ Tom makes more and more sense.” “I’ve always been a big sci-fi reader,” she says, listing Phillip K Dick, Kurt Vonnegut and Ray Bradbury amongst the authors she read avidly as a child from her parents’ extensive sci-fi collection. Raymond would go on to complete a PhD in Astrophysics at Cardiff University, before moving to Brighton to become an AI and video game programmer. Midway through writing her third album, then, she was drawn to the pulp sci-fi corners of Brighton market, picking up and devouring second hand tomes of strange science and the mystique of eternities. “A bunch of the stuff I was reading had these themes about the nature of infinity, and tying this into concepts about the afterlife,” she says. “Those thoughts were running in my mind a lot, especially when I was creating some of the droney sounds that book-end the album. The album enters from the cosmic void and exits through the galactic plane. Maybe you’re exiting out of hyperdrive into some strange planet where the album lives, then you zip out to find whatever is next.” At times, ladies and gentlemen, she found herself floating in space. The opener ‘Banjo Players of Aleph One’, for instance, is built on a celestial drone – its Gibson Mastertone banjo an off-world presence, purchased second-hand from a widow looking to pay for her husband’s funeral. “I had this image in my head of him somewhere very distant, playing the banjo on the cliffs of Mount On,” Raymond says. Hence the reference to Aleph numbers, a mathematical concept often used to describe the size of infinite sets, and by Rudy Rucker in his novel White Light to outline levels of the afterlife. “I’ve always felt a strong pull to the world of the weird, and I don’t think there’s a lot weirder than infinity, the product of a division by zero,” this atheist astrophysicist muses. “We all get divided by zero eventually.” ‘One Day You’ll Lie Here But Everything Will Have Changed’ has a more serene star-gazing feel, Raymond’s slide guitar tones resembling comets filling the night sky with warping, criss-crossing threads. The title track – a Tom O’Bedlam quote – is a frenetic blues that bends and twists like space-time. And lead single ‘Jack Parsons Blues’ is a passionate fingerpicking dervish full of Arabian flair and flamenco fury, named in honour of a 1940s Californian rocket scientist who helped found NASA’s Jet Propulsion Laboratory and was also a friend of L Ron Hubbard and acolyte of Aleister Crowley. “I’ve long been obsessed with Jack Parsons,” Raymond says, recalling reading Fortean Times articles about him as a teenager. “He lived in this vast old mansion which he shared with a whole cast of oddballs and shysters. He also came to an abrupt end, blowing himself up in his home lab. For all his faults, I find him to be a sort of romantic character – full of boundless zeal and ideas. He was both a scientist and an embracer of the weird and esoteric. He’s oddly inspirational.” Converts to Raymond’s brand of Welsh Primitive will find plenty to clutch at their ankles here too, with tracks evoking mythical Welsh goddesses (the prairie-wide ‘Dreams of Rhiannon’s Birds’) and Raymond’s childhood woodland discovery of gruesome animal remains (the frantic, exotic ‘Bleak Night in Rabbit’s Wood’), played on a devil-haunted guitar. A kissing cousin of Lankum’s mutant folk, the furious, gothic and wonderfully wild ‘Champion Ivy’ sounds like Hell’s hoedown, while ‘Bliws Afon Taf’ (Welsh for ‘Taff River Blues’) is more pastoral and tumbling, wrapping the listener in spider threads of gossamer guitar. At Raymond’s blessed fingertips, the earthly meets the stellar on some far-off event horizon, and you can barely see the join.\u003c\/p\u003e","brand":"We Are Busy Bodies","offers":[{"title":"LP","offer_id":50156056281366,"sku":"RMX-47898","price":27.99,"currency_code":"GBP","in_stock":true},{"title":"Cd","offer_id":50156056871190,"sku":"RMX-47900","price":14.99,"currency_code":"GBP","in_stock":true},{"title":"Dinked Edition 352 - Very Limited \"Celestial Dog-Bone\" Lp + *Signed* 12 X 12 Steve Krakow Designed Print + Stickers Designed By Casey Raymond (400 Only) - 1 Per Customer","offer_id":50156638765334,"sku":"RMX-47899","price":25.99,"currency_code":"GBP","in_stock":false},{"title":"*Signed* LP","offer_id":50457819414806,"sku":"RMX-55151","price":26.99,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0839\/7750\/2998\/files\/ecd751c5b4642d6f974d843b5b9afe5b.png?v=1761229149"},{"product_id":"big-thief-double-infinity","title":"Big Thief - Double Infinity","description":"\u003cp\u003eIf you’re no stranger to Resident’s waters, you’ll know that Big Thief stole our hearts a long time ago and we’ve been in no rush to claim them back. If this is the first dip of your toes, let’s just say that, with card-carrying Thief-ists like James and Georgia amongst our ranks, expectations are always sky-high for the latest BT release but, as ever, they overdeliver.\u003cbr\u003e\u003cbr\u003e\u003cem\u003eDouble Infinity\u003c\/em\u003e might initially seem slight compared to the sprawling \u003cem\u003eDragon New Warm Mountain I Believe \u003c\/em\u003e\u003cem\u003eIn You\u003c\/em\u003e but  this is a deeply moving and, at times, jaw-droppingly beautiful follow up to one of our favourite albums of 2022.  Entrancing. Compelling. Astonishing. Full of affective arrangements and inventive yet raw lyricism, \u003cem\u003eDouble Infinity\u003c\/em\u003e has slipped straight into our lives like a long-lost friend resurfacing to shoot the shit over a steaming brew.\u003c\/p\u003e\n\u003cp\u003eAnd, like that familiar interaction, the core trio of Lenker, Meek, and Krivchenia elegantly twirl their atmospheric folk rock together, each track building on what came before, growing in emotional heft and poetic resonance as the supplementary skills from such esteemed players as Laraaji, Hannah Cohen, and June McDoom add even greater depth to these gut-punch compositions. The New Yorkers might only be 10 years into their much-lauded career, but it feels as if they’ve been with us forever. \u003c\/p\u003e\n\u003cp\u003eStick it on and sink right in.\u003c\/p\u003e","brand":"4AD","offers":[{"title":"Resident End Of Year Edition Green \"Re-Vinyl\" LP with Exclusive Signed Print","offer_id":50750917017878,"sku":"RMX-58732","price":23.99,"currency_code":"GBP","in_stock":false},{"title":"Limited Indies Green \"Re-Vinyl\" LP","offer_id":50156064604438,"sku":"RMX-47733","price":24.99,"currency_code":"GBP","in_stock":true},{"title":"LP","offer_id":50156065161494,"sku":"RMX-47734","price":21.99,"currency_code":"GBP","in_stock":true},{"title":"CD","offer_id":50156065554710,"sku":"RMX-47735","price":12.99,"currency_code":"GBP","in_stock":true},{"title":"Cassette","offer_id":50156066013462,"sku":"RMX-47736","price":12.99,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0839\/7750\/2998\/files\/388b82e5cac3cdaa23a4d2f0d3b20e93.png?v=1763638743"},{"product_id":"james-k-friend","title":"James K - Friend","description":"\u003cp\u003eFriend: The rupture is filled with sounds and a translation is made from blazing starlight to harmony and weather. Laid down in our silken dreams, the tripped out flows in the dubbed footpath, and with our hands wet, we root down. Her voice fades and gathers from this place, where we hold the water of our bodies against the speaker of time, and let the ripples give us pleasure and vision. Spin slowly around the open air room, dripping with the undertone of two hearts, to hear the warming of her sun come across our deep cold space. She flies out from the vapor whirlpool feeling the celestial breakdown rise and slip, making room all around for singing out, signaling the days to come and go in peace. And still we find that heaven and earth don’t ever mean enough, even when they speak the same. It’s in these distilled moments we construct a reality, learning to listen quietly for the voices and call out in return. A kiss, a friend, a hand in hand, continuing until things disappear. In the metronome of the cat’s tail, erasing and mending, we find reasons for love and for life. 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As they found themselves naturally locking into more fixed grooves, he realised a new direction had been set. 'The Heat Warps' is the triumphant manifestation of where that new direction took them. In the aftermath, Cooper’s songwriting, which had become increasingly impressionistic, found a new focus and the idea of making an album that followed a similar path to the last two increasingly seemed obtuse. The purpose was to forge a radical change. The core trio of him, Jim Wallis (drums) and Jeff Tobias (bass guitar) were augmented by a new guitarist – Tara Cunningham. Modern Nature’s recent records have reflected an insular life. Cooper had moved out to the countryside in 2021 and had, in his words, been “hibernating” while he started a family. He felt this new band was a symbol for his reawakening and the perfect vessel for him to continue to explore themes that he’s sung about with Modern Nature – collectivism, our relationship with the natural world, the weight of consciousness – but with more directness and purpose. The key was the new dual guitar sound. “I’ve always been drawn to bands where two guitarists work as a unit to move around and colour the rhythm section,” explains Cooper. “I’d been listening to the demos Television did with Brian Eno in the day and then that night I played with Tara for the first time at an improvised music show. We have a very similar approach to the guitar and that extends to the way we sing, so it gives the music an interesting balance. “What we do is mirrored; a symmetry on either side of what Jim and Jeff are doing in the rhythm section. We’ve played with lots of amazing musicians who continue to orbit around what we do, but Tara joining the band felt like finding the other side to the square. Previous records have been performed by upwards of fifteen people but it was apparent the four of us could achieve something more powerful and more direct.” In the time Modern Nature has been a band, the world has undoubtedly changed. The words Cooper had been writing previously were somewhat ambiguous but it had started to feel like he was sitting on the fence and that was something he needed to address. “Every day we’re confronted with a confusing and scary world,” he says. “Making music and creating things can feel flippant or unnecessary, but my own world view was defined and influenced by art and artists who weren’t afraid to highlight and offer solutions: Public Enemy, The Smiths or a wider American counterculture.” “The community we’ve built our life around – artists, musicians and the people who gravitate to these things as way of communicating – are struggling to reconcile how they fit into an increasingly cruel world. This album, the themes and the lyrics are directed towards them because I think there are still seasons to be optimistic. There are amazing things happening all around us and it’s up to communities like ours to double down on the things we believe in. 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Before he passed away, he’d played Modern Nature on his NTS show and Cooper was thrilled that he liked them. He made it an aim to make a record Weatherall might have played to his friends late at night. His motto “Fail we may, sail we must” is what the Can-esque track Pharaoh is about. “It’s difficult to stay aware of the world around you without becoming despondent,” says Cooper. “'Pharoah' makes the case for finding a personal philosophy and trying to live a life that might inspire others or at the very least not hurt them.” Elsewhere, 'Radio' touches on the contempt capitalism has for the natural world. The line “there’s a fire all around” offers a kind of gallows humour. Cooper adds that recently they played the songs on a day that the news was showing footage of the Los Angeles fires. It occurred to him that it was perhaps an insensitive subject to be singing about but there again – in his words – he feels it’s “important not to turn away from these things.” The same desire not to shy away might also be attributed to Source, which touches on the recent riots in the UK directed towards asylum seekers, inspired by misinformation spread online. For all this wrestling with the grimmer realities of 2025, 'The Heat Warps' is ultimately not a record entirely consumed by anxieties. Its frequently beautiful sounds offer consolation and a wide-eyed optimism amid all the upheaval. Nowhere is that more apparent than on the transcendent album closer, 'Totality'. As Cooper explains: “It was fascinating spending time in America as the country geared up for the 2024 solar eclipse. The news stations covered the event in the same way they’d cover a big football game or the Oscars. 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